“More and more businesses are cashing in on sentimentality to earn their keep. And it’s not only just ad agencies, record stores, and sweet shops that are profiting from nostalgia these days. Liam Geraghty found out more.”
What can directors of today’s 3D blockbusters learn from Hitchcock’s only effort in the area, Dial M for Murder? I spoke to film critic John Maguire.
I spoke with paper artist Maeve Clancy about building an ancient celtic dwelling with just a scalpel and some paper.
I spoke to Ned Vizzini, on getting (almost literally) stuck in a book in his bibliophilic new YA novel, House of Secrets.